NOISY POSTAudio Post Production // Film & Television Sound
OUR PASSION IS
We believe that designing and mixing sound is an art form and story is king. When sound is executed with consistency and creativity it produces an atmosphere that enhances the integrity of a story, well beyond the performance, taking the audience on a sensory and emotional journey.
Having worked in the film and television industry for well over a decade, and our background as professional musicians, we have developed our craft to ensure that our design, compose and balance with musician’s sensitivity. Noisy Post has experience in all aspects of audio post production including as sound editor, sound designer, ADR recordist, composer and re-recording mixer, enabling us to shape the overall soundscape that is integral to the story-telling process.
The dialogue of your film is key to getting your story across. Noisy Post is the king of dialogue restoration and editing. We have state of the art technology and the know how to reduce background noise and edit out unwanted sounds. We will make your dialogue flow from scene to scene.
When your location audio isn’t up to scratch because you had a loud set or sound issues when capturing that one important take, sometimes ADR is the choice you have to make. We can record dialogue in our studio and make it match seamlessly with your location audio.
We have a fantastic team of editors to bring your film to life. We record unique sounds specifically for your film but for films with a tight schedule or budget, we have a dense sound library to deliver your story to your audience.
An audiences will never know what is drawing them into the story but so many factors including foley all play a part in convincing them of what’s in front of me. Whether it’s glueing ADR to the location dialogue or bringing a fight scene together, foley is vital and we have the team to bring this to a reality.
Our PMC 5.1 mix room is a stunning space to mix your score. We have mixed films and scores that translate in small home theatres to commercial cinemas. If you want your score brought to life from stereo to 5.1 we have the skills and space to do it. Our head re-recording mixer Benni Knop, has been mixing music long before moving into film. His experience extends to all styles of music.
The final mix of your film is such a crucial part of the audio post production process. It brings all the elements of dialogue, sound effects, ambiences and score together to deliver the story you’ve been trying to tell. We mix in 5.1 but also deliver a stereo mix as well as stem mixes so you have all the deliverables you need for distribution. Our mixes translate on your laptop speakers all the way up to a large commercial cinema.
Benni has been a fantastic asset to all my productions. Having worked on a television pilot, a worldwide distributed feature film and many other projects, I have always had the confidence to trust him with delivering the greatest quality sound. Benni has an uncanny ear for detail, not only does he respond well to direction, be he also offers many creative and technical solutions across all my endeavours. His work is of the highest quality, no matter what the broadcast output may be. He is both reliable and extremely talented, and I would happily recommend him to any production.
Director/ Editor / Producer
Benni Knop worked on my latest feature film Living Space, his work ethic and attention to detail was what set him apart from others. He is a dedicated sound specialist who has gone above and beyond. He was able to meet extremely tight deadlines yet provide exceptional professional work. I would recommend him to all film makers and studios looking for a dedicated Audio Post Production professional.
Director of 'Living Space' (aka Nazi Undead)
Benni is a confident, fast, precise engineer and has helped make our productions sound amazing. We continue to use him to make sure our audio production values are always 110%.
A skilled hard worker, who works with the director in tandem, and builds on a great result. Constantly fixes glaring audio issues that arise, and also adds his own creative mind to the mix. A real treat to work with.
Director & Composer of 'Hunter' & 'His Hand'
It was such a pleasure to collaborate with Benni, the passion and talent he brings to my projects are second to none.
Director of 'Beyond the Water's Edge'
Benni is collaborative, easy going, and authentic. I have used his services on my horror films and recommend him for atmospheric, visceral soundscapes.